In spring 2000, Intuit took possession of the contents of artist Henry Darger’s living and working space, which was located at 851 Webster Street in Chicago. Intuit’s Henry Darger Room Collection includes tracings, clippings from newspapers, magazines, comic books, cartoons, children’s books, coloring books, personal documents, and architectural elements, fixtures, and furnishings from Darger’s original room.
Darger lived in a one-room apartment in Chicago’s Lincoln Park until 1973 when he retired to a nursing facility. In his small room—which doubled as his studio and home for close to 40 years—he worked on a large number of painted and collaged drawings that illustrated the story of the Vivian Girls, created volumes of writings, and collected hundreds of objects (shoes, eyeglasses, balls of string, etc.). The contrast between the intimate scale of the room and the staggering volume of drawings, illustrations, writings, and collections, conveys vital information about Darger’s existence and the work he created.
Opened in 2008, the goal of this permanent exhibit is to create an environment that provides a window onto Darger’s world. The installation will symbolize the stark contrasts that are so vividly portrayed in Darger’s vast and complex oeuvre. Experiencing Darger’s personal environment through the installation will provide an important link to the man who struggled relentlessly throughout his life to give expression to the polarized spectrum of humanity. The archive and material represents a vital resource and the installation will enhance the understanding and appreciation of the art of Henry Darger by providing artists, scholars, and the public access to a unique and innovative archive of study materials.
If you have questions about Intuit’s Henry Darger Room Collection or about the artist, please contact us at firstname.lastname@example.org.
Visit the Official Darger Website
More information on official Darger exhibitions, collections and events found here
From 851 West Webster to Intuit
Read essays by co-curators Jessica Moss and Lisa Stone