Post Black Folk Art in America
1930-1980-2016

July 15, 2016-January 8, 2017
Opening Reception: Friday, July 15, 5:30-8:30 p.m.
Curated by Faheem Majeed

Thornton Dial, "Royal Flag", 1997 to 1998, 78" x 80" x 7", American flag, toy doll, toy bull, string, industrial sealing compound, oil, enamel, spray paint on canvas mounted on wood. Photo courtesy of Souls Grown Deep Foundation.

Thornton Dial, "Royal Flag", 1997 to 1998, 78" x 80" x 7", American flag, toy doll, toy bull, string, industrial sealing compound, oil, enamel, spray paint on canvas mounted on wood. Photo courtesy of Souls Grown Deep Foundation.

As a celebration of Intuit’s 25th anniversary, Intuit will revisit the Corcoran Gallery of Art’s groundbreaking 1982 exhibition Black Folk Art in America 1930–1980. The exhibition, curated by Faheem Majeed, showcases artists included in the original exhibition as well as artists whose work and practice parallels the selection criteria for the original Black Folk Art in America exhibition.

A pivotal exhibition in showcasing artists rarely seen outside of their close knit southern and urban communities, Black Folk Art in America played a significant role in bringing to light the lack of acknowledgement, understanding, and representation of black visual culture within American art museums’ collections and exhibitions.  The exhibition galvanized many African-Americans in the arts community to challenge the Corcoran’s choice of artists, artwork, and terminology used to represent the rarely seen black visual culture within the institution.  The show sparked unforeseen debates around museum exhibition and collection diversity, the terminology associated with self-taught artists, and the marginalization of black artists within majority institutions. 

Additionally, the exhibition was also the catalyst for many collectors in this space and laid the seeds for a number of organizations dedicated to showcasing the artists included in the exhibition and artists producing related work.

Through the catalogue, works on view, discussions, off-site tours, presentations, performances, and interviews the exhibition will explore the layers of terminology, debate, ideas, artists, collectors and communities impacted by the term “Black Folk Art”.

Visit the following links to read recent coverage of this exhibition:
Newcity
Chicago Reader
Chicago Sun-Times
fnewsmagazine


Programming for Post Black Folk Art in America 1930-1980-2016 is made possible
through support from the Terra Foundation for American Art.


Intuit thanks the following sponsors for their generous support of this exhibition: